Showing posts with label Hollywood. Show all posts
Showing posts with label Hollywood. Show all posts

Wednesday, June 24, 2009

HEAD OVER HEELS


That, unfortunately, has never been the case with me. My head has, is, and always will be, over feet which are encased in flat footwear. Not heels.

Once upon a time, long ago, I had tried heels. Drastically high platform heels. Wooden ones making a horse-like racket on the hard cement floor. It had not been a successful stride. In fact, it had not been a stride at all. After a failed falter, heels became another one of those allergy-inducing objects which I could see, but could not use.

And, thereafter, I have always been a Cinderella in rubber slippers. No dainty-toed high-heeled glass slippers for me.


So I know all about the platform, the wedge and the vicious/vertiginous stiletto (the lady-boss of all heels). I even know about the non-threatening kitten heels, which are less than 1.5 inches in height. These innocuous-looking low-heels are treacherous creatures, because they can tempt heel-allergic flat-footers like me. But I am, and sadly will always be, a full-grown tabby cat, and no longer anything like a kitten. And so, even kitten heels trip me up.

Any heel, and my ankle rebels. A self-defeating rebellion, as it ends up getting twisted in the bargain. But I end up all in a tumble. Embarrassing!

Any heel-thy person will diagnose my disease as vertigo. For me, heel-thy is definitely not well-thy. I am scared of heights. Not on a rollercoaster (I love them on an empty stomach). But on my heels. I prefer facing life with my feet planted solidly on the ground.

There are distinct disadvantages. Shoe shops are apparently meant for the well-heeled, as most of the shelves are devoted to the sky-high variety of shoes. Whenever I enter a shoe-shop and say, "Flat sandals only, please", I am directed to some obscure corner where a shelf and a half displays the frumpiest of designs in the most boring of colours.

Even when flat shoes are 'in', like they were 'last season' with ballerina-flats, this is usually a passing fad, and women soon abandon their firm-on-the-ground-walk for a balancing-totter. Even the once-flat Kolhapuri chappals have turned traitor and sprouted heels.

I can be the darling of feminists (who rage against the tyranny of heels and the consequent commoditisation of body-image) and the podiarists (who rage against the foot and tendon problems caused by heels). But that is a limited appeal.

Alas, I can never be a Posh Spice, who apparently even goes gymming in stilettoes (I hardly ever go gymming, so I do not wear stilettoes). All heel-addicts will rave about the sex-appeal of heels. How a shoe has to have a 'defined heel' to be in the 'sexy shoe' category. How heels transform us into objects of lust and desirability (check out any heel-vocabulary: 'stripper shoes' have 3" platform heels, 'hooker heels' are at least 3-4",'slut shoes' have 5-5 3/4 " heel...). My head is reeling after all those vertical stats.

To come back to the issue of sex-symbols and heels, I had once read that the legendary Greta Garbo (the reclusive and unattainable silent-era Hollywood beauty) always used to wear a pair of flat and comfy men's bedroom slippers (size 10 or thereabouts) under the long, trailing, lovely ballgowns she wore while filming.

That settled the matter for me. I chose the classic Greta Garbo over the upstart Posh Spice. And I'll stick to my slides and mules and unsexy-but-safe flat Dr Scholl's-type foowear. And my lovely red mojris from Mochi's, which make me feel like royalty. Even when I am not on a pedestal.

Wednesday, February 25, 2009

FREIDA PINTO - MY (UN)FAIR LADY?

Poor Freida Pinto. While whooping it up at various parties all the world over in the wake of Slumdog Millionaire's super success, our poor little girl in the limelight has been hounded by bad press.

Apparently, in her baby steps up the fame-and-fortune ladder, she has been stepping on a lot of touchy toes. There was the ditching of former fiance/husband Rohan Antao (gleefully played up by the media, with photos of a mopey Antao wishing her all the best). There was the snubbing of Wendell Rodricks, the Goan designer who gave darling Freida her first break in modelling. Wendell makes delicious free-flowing gowns which can grace the red carpet as well as any other. Instead, 'international' Freida is opting for Dries Van Notens and Gallianos galore (the blue net gown at the Oscars got a very mixed reaction).
And there is the simpering smiles and cosying up to the eligible Dev Patel, a budding romance which seems constructed only for the cameras.

All this rankles. Latika (her character in SDM) was a woman who was forced to compromise, yet who always rememebered her past loves and loyalties. Freida's press-created avatar comes across as a girl who chose to compromise, and who has willingly and quickly forgotten her past - loves and loyalties included.

There seems to be a moral which is being subtly created and reinforced - the glamour of the West (Hollywood, etc) turning the head of the gullible Indian girl and making her forget her tradition and culture.

Maybe I am being over-critical, maybe Freida is really a manipulative-miss-on-the-make, but then we have never really come across a clarification from her, have we? And it is so easy for self-righteous guardians of Indian values to point fingers and say, "See, what a slum-bitch she is." I can recall a similar anti-Aishwarya Rai campaign in the press when she tried to make her mark in Hollywood. Maybe India likes to keep its heroines under a metaphorical purdah - at home in Bollywood, rather than creating a flutter abroad?